Nick Ribush and many of the IMI Sangha had been actively engaged in publishing activities at Kopan since even before obtaining their own Gestetner printing machine. The Wish-Fulfilling Golden Sun and the various editions of Meditation Course Notes had been published under the imprint of the International Mahayana Institute.
On 8 December 1975 Jesse Sartain, an American publisher who was a student of Geshe Ngawang Dhargyey and had been studying at the Tibetan Library in Dharamsala, visited Lama Yeshe; he suggested that the talks from the 1974 American tour be published. Nick was passionate about publishing the lamas’ work and was invited to the meeting. Lama Yeshe suggested that a book be published jointly by Jesse’s Conch Press and what he now called Publications for Wisdom Culture, Kopan’s own imprint. The Conch/Wisdom collaboration, properly printed, bound and titled Wisdom Energy, was published in 1976. It was edited by Jon Landaw and his old friend Alex Berzin. By the 1980s this publishing endeavor would transmute into Wisdom Publications with offices in Boston, Massachusetts, and would eventually become one of the world’s foremost English-language Buddhist publishing houses.
Statues and Images
It was typical of new students to want to buy a Buddha statue before leaving Nepal. “I went everywhere in Kathmandu and Patan and saw hundreds of statues, but none of them appealed to me because they were all mass produced,” said one young man. “Then in Boudha I saw a beautiful statue that had come from Tibet but was far too expensive for me. The only valuable thing I had with me was a really good pair of German binoculars because I was a passionate ornithologist. I put a ‘For sale’ notice up at Kopan, but there were no takers. Then a monk came to me to say that Lama Yeshe wanted to know how much I was asking for them. Of course I halved the price for him. The monk came to see me again the next day and told me Lama Yeshe wanted to know what price I really wanted for them. I told him the full amount, he gave me the money, and I was then able to buy that statue.”
That same year, Lama sent Mummy Max off to find a Tara statue. “I told him I’d go the next day,” Max recalled, “but he said, ‘No, now. You go and don’t come back without it! It’s there; you find it.’ I went all over Kathmandu on what happened to be a Nepali public holiday, so half the shops were shut. I looked in all the obvious places, went to Patan [the artistic center of Kathmandu], looked everywhere and couldn’t find anything. So I started on the back streets. I was exhausted and sure that I was never going to find this statue. But Lama knew. He knew exactly and I’m convinced he led me to it, because I didn’t have a clue. Finally, when it was getting dark I found the perfect statue in a pile in a statue maker’s warehouse. When I got back to Kopan and showed it to him, all he said was ‘Huh!’”